Scenes--new scenes added 1/1/13
Contemporary Plays on which Larry has coached many actors. info@larrygleason.com -------WILLIAM SHAKESPEARE-------------------------- Instead of a listing, simply contact Larry about any Shakespearean scene. Include Title, Act and Scene (i.e. A Midsummer Night's Dream, Act 3, scene 2). Larry can discuss with you just about any scene you have in mind. Or go to www.gutenberg.org/browse/authors/s and download the Bard's (and other's) plays FREE. -------PLAYS THROUGHOUT THE HISTORY OF DRAMA--------------------------- Use this list (click here)--to jog the brain and get inspiration. Farquhar/THE BEAUX-STRATAGEM (Mrs.Sullen/Dorinda) The Play Congreve/THE WAY OF THE WORLD (Millamant/Mirabell) The Play -------VARIOUS CONTEMPORARY PLAYWRIGHTS--------------------------------- These are plays from which Larry has coached actors. Use as a guide to get ideas. To help you sort things out, the scenes are arranged alphabetically by author. Some have various scene notations such as: m/w-1 man,1 woman m/m- 2 men w/w-2 women 3p- 3 person scene 4p- 4 person scene 20s, 30s, etc- age ranges Due to Copyright restrictions, listings only. See the blue HINT box to the right. >>> Got a scene you want to work on? Click here for Private Coaching. Alexander/ NOBODY LOVES AN ALBATROSS Allensworth/ INTERURBAN Albee/ THE AMERICAN DREAM Albee/ THE ZOO STORY Albee/ WHO'S AFRAID OF VIRGINIA WOOLF Auburn/ PROOF (Robert 50's/Catherine/Hal/Claire-20's, 2p,3p) Ayckbourn/ THE NORMAN CONQUESTS: TABLE MANNERS LIVING TOGETHER ROUND AND ROUND THE GARDEN Ayckbourn/ A SMALL FAMILY BUSINESS Ayckbourn/ ABSURD PERSON SINGULAR (All Ayckbourn plays: many ages, 2p, 3p scenes of all combinations, British accents, broad comedy) Anouilh/ BECKET Baitz/ A FAIR COUNTRY (Gil-20's/Patrice-40's) Baitz/ TEN UNKNOWNS (Julia-30/Judd-30) Baitz/ THE FILM SOCIETY (Sutter/Balton-middle aged) Baitz/ THE PARIS LETTER Baitz/ THE SUBSTANCE OF FIRE (Sarah/Martin-20's) Ball/ FIVE WOMEN WEARING THE SAME DRESS (Tracy/Tripp) Barnett, Udell, Rose/ SHENANDOAH (Musical) (Sam-20's/Charlie late 40's) Barry/ HOTEL UNIVERSE (Ann-28/Pat-32; other m/w 2p, 3p scenes) Barry/ THE PHILADELPHIA STORY (Tracy/Dexter 30's, Tracy/Mike 30's) Beckett/ WAITING FOR GODOT Bergmann/ SCENES FROM A MARRIAGE Benet/ JOHN BROWN'S BODY Berkoff--Kafka/ THE TRIAL Berkoff--Kafka/ METAMORPHOSIS Bogosian/ SUBURBIA (Sooze/Jeff) Bourgeade/ THE PASSPORT Bond/ THE WAR PLAYS-A Trilogy Bond/ LEAR Bond/ BINGO Bradbury/ PILLAR OF FIRE (m/m, w/m, 3p, 30s and up, highly unusual material) Brecht/ MOTHER COURAGE Brecht/ SAINT JOAN OF THE STOCKYARDS Brecht/ THE CAUCASIAN CAULK CIRCLE Brecht/ THE GOOD WOMAN OF SETZUAN Brecht/ THE RESISTABLE RISE OF ARTURO UI Brecht/ THE THREE PENNY OPERA Bulwer-Lytton/ MONEY Bunin/THE CREDEAUX CANVAS Butterfield/ JOINED AT THE HEAD (w/w, 30s) Byron/ ASLEEP ON THE WIND (Rootie/Beau) Casella--Ferris/ DEATH TAKES A HOLIDAY Chase/ HARVEY Chayefsky/ THE TENTH MAN Cho/ BFE (w/w, w/m, teens, Asian and American characters, many scenes) Clark and Bobrick/ MURDER AT THE HOWARD JOHNSONS (Mitchell/Arlene) Cohan/ THE TAVERN Chekhov/ IVANOV (Ivanov-30's/Lebedev-30's; Ivanov/Anna-20's; many various others) Chekhov/ THE CHERRY ORCHARD (Lopakhin-20's, 30's/Varya-20's; Ranevskaya 30's, 40's/Trofimov-20's; many various others) Chekhov/ THE SEA GULL (Arkadina-30's/Treplev-late teens, early 20's; Nina-late teens/Treplev; many various others) Chekhov/ THE THREE SISTERS (Vershinin-30's/Masha-20's; great group scenes) Chekhov/ UNCLE VANYA (Elena-20's/Sonya-20's; many various others) Christie/ TEN LITTLE INDIANS Cherniak, Morgan and Ross/ THE ANGER IN ERNEST & ERNESTINE (Ernest/Ernestine) Churchill/ A NUMBER (m/m, father/son; sophisticated dialog and text, for experienced actors) Churchill/ CLOUD NINE Churchill/ SERIOUS MONEY Churchill/ TOP GIRLS (w/w, 30's, w/w teens; various scenes, various British dialects) Craviotto/ PIZZA MAN (Alice/Julie, 20's many scenes) Cristopher/ THE SHADOW BOX Coopersmith/ THE DIARY OF ADAM AND EVE (Adam-teens/Eve-teens) Coward/ BLITHE SPIRIT Coward/ DESIGN FOR LIVING Coward/ HAY FEVER Coward/ PRIVATE LIVES Coward/ PRESENT LAUGHTER Drake/ THE DAY LARRY KRAMER KISSED ME Dumas/ THE COUNT OF MONTE CRISTO (Benedetto/deVillefort) Durang/ DURANG DURANG: FOR WHOM THE SOUTHERN BELLE TOLLS Durang/ SISTER MARY IGNATIUS EXPLAINS IT ALL FOR YOU Durang/ BEYOND THERAPY (Prudence/Bruce; Prudence/Manuel) Flagg/ FRIED GREEN TOMATOES (Idgie/Ruth) Foote/ BHUTAN (Mary, 39/Frances, 16/Warren, 19; various scenes) Gazzo/ A HATFUL OF RAIN (Johnny/Celia, 20's; Ceila/Polo) Glass/ ARTICHOKE (Margaret-30's/Gibson-40) Greenberg/ EASTERN STANDARD (May/Ellen) Greensberg/ TAKE ME OUT (Darren/Mason) Guare/ THE LOVELIEST AFTERNOON OF THE YEAR (He/She) Guirgis/ IN ARABIA WE'D ALL BE KINGS (Vic/Lenny) Guirgis/ JESUS HOPPED THE 'A' TRAIN (Angel/Mary-Jane) Hare/ THE BLUE ROOM (Poltician-30's/Call Girl-early 20's)------------------------------------->>> Harris/ HOT COFFEE Hart/ ONCE IN A LIFETIME (many ages, 2p, 3p of all combos) Hellman/ THE CHILDREN'S HOUR (Karen/Martha-late 20's) Henley/ THE MISS FIRECRACKER CONTEST (Carnelle/Popeye) Horovitz/ INDIAN WANTS THE BRONX (Joey/Murph-20's, urban, street-wise) Howe/ COASTAL DISTURBANCES (Holly/Leo) Ibsen/ GHOSTS (Osvald/Mrs.Alving) Ibsen/ HEDDA GABLER (Hedda/Mrs.Elvstead) Inge/ ELEVEN SHORT PLAYS (many ages, 2p, 3p of all combos, 1950's melodrama Inge/ BUS STOP (Grace/Elma/Will, other scenes) Inge/ A LOSS OF ROSES (Kenny-20's/Lila-30's) Inge/ PICNIC (Hal-young/Madge-young) (Howard-40's/Rosemary-30's) Inge/ COME BACK LITTLE SHEBA (Lola/Doc, 30's-40's) Ionesco/ RHINOCEROS Ionesco/ THE KILLING GAME (1st citizen/2nd citizen, any age/gender) Ives/ ALL IN THE TIMING-FOURTEEN PLAYS (many ages, 2p, 3p scenes of all combinations, skit-like material) Johnson-Abba/ MAMMA MIA! (Sam/Harry/Bill, late 30's-Sophie late teens, early 20s) Jones/ A TEXAS TRILOGY: (many ages, 2p, 3p scenes of all combinations, Texas accents) THE LAST MEETING OF THE KNIGHTS OF THE WHITE MAGNOLIA LU ANN HAMPTON LAVERTY OBERLANDER THE OLDEST LIVING GRADUATE Joseph/ ALL THIS INTAMCY (Jen/Frannie, 20's) Kaufman/ GROSS INDECENCY (Wilde-30's/various prosecutors 30's, 40's, trial scenes) Kava/ THE EARLY GIRL (Lily/Jean) Kramer, L./ THE NORMAL HEART Kramer, S./ SPEAK NOW (Harold/Casey) Kesselman/ MY SISTER IN THIS HOUSE (Christine/Leah) Kesselring/ ARSENIC AND OLD LACE (Mortimer/Elaine, 20's) Kessler/ ORPHANS (Philip/Treat-20s/Harold-40's, 2p, 3p, many scenes) Kosh/ TEMPTATION LaBute/ FAT PIG (Helen/Tom/Carter/Jeannie--20's, 30's, 2p, 3p, many scenes) LaBute/ THE MERCY SEAT (Abby 40's/Ben 30's, many scenes) LaBute/ THE SHAPE OF THINGS (Adam/Evelyn/Jenny/Phillip--20's, 2p, 3p, many scenes) LaBute/ THIS IS HOW IT GOES (Man/Woman/Cody-30's, 2p, many scenes) Lerner and Loewe/ MY FAIR LADY (Higgins-30's/Eliza-20, many scenes) Lindsay-Abaire/ WONDER OF THE WORLD (Kip/Cass) Lonergan/ THIS IS OUR YOUTH (Dennis-21/Warren-19/Jessica-19, many scenes and combos) Lorca/ THE HOUSE OF BERNARDA ALBA Luce/ THE WOMEN (w/w, 20's, 30's, many scenes; vital and young, these are not old women) MacLeod/ SCHOOL GIRL FIGURE (Patty/Renee) Mamet/ AMERICAN BUFFALO (Donnie/Bobby/Teach, fast-paced, street-wise) Mamet/ FOUR A.M. (Interviewer/Caller-any age, M or F) Mamet/ PINT'S A POUND THE WORLD ROUND (2M, young-middle age) Mamet/ OLEANNA (Carol-20's/John 40's, highly stylized dialogue, many scenes) Manhoff/ THE OWL AND THE PUSSYCAT (Felix/Doris) Margulies/DINNER WITH FRIENDS (Gabe/Karen/Beth/Tom-40s), 2p, 3p, 4p, many scenes) Marber/ CLOSER (Alice/Dan/Larry/Anna-20's, 30's, 2p, 3p, m/w, w/w, many scenes, strong adult situations) Mathison/ E.T.-THE EXTRATERRESTRIAL (Elliot-boy/Michael-young teen) Melfi/ BIRDBATH (Velma/Frankie) Miller/ ALL MY SONS (Ann/Sue) Miller/ A VIEW FROM THE BRIDGE (Rodolpho/Catharine) Miller/ DEATH OF A SALESMAN (Biff/Happy; Biff/Willy; Biff/Happy/Linda; Willy/Bernard) Miller/ PLAYING FOR TIME (Fania/Alma) Miller/ THE AMERICAN CLOCK (Lee-late 20's/Edie-late 20's) Miller/ THE CRUCIBLE (Proctor/Elizabeth; Proctor/Abigail) Morales/ GALAXY VIDEO (m/m, m/f--teens, 20's; many fast & short scenes, offbeat comedy) Murray-Smith/ HONOUR (Claudia/Sophie) Nash/ THE RAINMAKER Norman/ GETTING OUT (Arlene/Ruby-young women) Nigro/ SEASCAPE WITH SHARKS AND DANCER (Ben/Tracy, 20's, quirky, dark love tale) Odets/ WAITING FOR LEFTY (m/m, m/f, good group scenes, 20's, 30's) Odets/ GOLDEN BOY (Joe/Lorna, 20's) Odets/ ROCKET TO THE MOON (Stark/Belle, Stark/Cleo, m/f, late 20's, 30's, various others) O'Neill/ LONG DAY'S JOURNEY INTO NIGHT (Edmund/Jamie) Pendleton/ORSON'S SHADOW (Ken/Orson--30's,40's) Pinero/ SHORT EYES Pintauro/ REX (Eric 30's/Jenn 30's) Pinter/ THE DUMB WAITER (Gus/Ben, 20's, 30's) Rabe/ GOOSE AND TOMTOM (Goose/Tomtom) Rabe/ HURLYBURLY (Eddie/Darlene) Rabe/ THOSE THE RIVER KEEPS (Phil/Susie) Rebeck/ SPIKE HEELS (Edward 20's/Andrew 20's) Rebeck/ THE BUTTERFLY COLLECTION Rilke/ NINE PLAYS Roos and Waldman/LOVE AND OTHER IMPOSSIBLE PURSUITS (Scripts only available via Larry; Jack 6/Emilia 30's Sargent/ UNFAITHFUL (Scripts only available via Larry;Connie-30's/Edward-40's/Paul-28; 2p, m/w, various scenes) Shaffer/ EQUUS Shaffer/ AMADEUS (Wolfgang/Costanze) Shanley/ DANNY AND THE DEEP BLUE SEA Shanley/ THE DREAMER EXAMINES HIS PILLOW (Tommy/Donna) Shanley/ THE RED COAT (Mary/John) PNAO Shepard/ FOOL FOR LOVE (Eddie/May, 20s. 30's) Shepard/ TRUE WEST (Lee/Austin) Sherman/ BEAU JEST (Sarah/Bob) Shue/ THE FOREIGNER Silver/ PTERODACTYLS/ (Emma/Tommy, 20's) Simon/ BAREFOOT IN THE PARK (Paul and Corie, 20s) Simon/ CHAPTER TWO (George/Leo/Jennie/Faye, 30s-40's; many scenes) Simon/ PROPOSALS (Josie/Kenny) Simon/ THE ODD COUPLE (Felix/Oscar); see also 2-woman version Slade/ ROMANTIC COMEDY (Phoebe/Jason) Son/STOP KISS (Callie/Sara, 20's, 30's, various scenes; Callie/Detective Cole-30's,40's; Mrs. Winsley 40's, 50's/Det. Cole; also scenes with Peter and George 20', 30's) Steinbeck/ OF MICE AND MEN St. Germain/ OUT OF GAS ON LOVERS LEAP (Grouper-late teens/Myst-late teens) Stoppard/ ARCADIA (Tomasina, teens/Septimus, 20's) Taylor and Bologna/ LOVERS AND OTHER STRANGERS (Wilma/Johnny) Taylor and Bologna/ BEDROOMS Thomas/ A MOON TO DANCE BY (Scripts only available via Larry; Freida-59/Monty- 39/Angelo 40's, 2p, 3p, m/w, m/m, various scenes) Tolan/ STAY CARL STAY (C.L./Dr.Weiss) Rudnik/ VALHALLA (Ludwig/Sophie) Vogel/ HOW I LEARNED TO DRIVE (Li'l Bit, 17/Peck, 40; various scenes) Wade/ KEY EXCHANGE (Lisa-20's/Philip-20's) Wasserstein/ ISN'T IT ROMANTIC? (Janie/Harriet) Watson and Gallagher/ FINAL PLACEMENT (Mary/Luellen) Weller/ MOONCHILDREN Weller/ SPLIT Wilde/ THE IMPORTANCE OF BEING EARNEST (Jack 20s/Algernon 20s; Gwendolyn 20's/ Cecily 20s) Wilder/ THE MATCHMAKER (Cornelius 20s/Barnaby 20's) Williams/ CAT ON A HOT TIN ROOF (Maggie/Brick-- late 20's-30's) Williams/ HELLO FROM BERTHA (Bertha/Goldie) Williams/ SUMMER AND SMOKE (Alma/John) Williams/ THE ROSE TATTOO (Rosa/Jack) Williams/ VIEUX CARRE' (Jane/Tye) Wilson/ THE PIANO LESSON (Lymon late 20's/Berniece 30s; also Boy Willie/Doaker) Two Women Scenes: A COUPLA WHITE CHICKS SITTING AROUND TALKING by John Ford Noonan A DELICATE BALANCE by Edward Albee AGNES OF GOD by John Pielmeier ALBUM by David Rimmer ALL MY SONS by Arthur Miller ALL THIS INTIMACY by Ragiv Joseph CLOSER by Patrick Marber CRIMES OF THE HEART by Beth Henley EASTERN STANDARD by Richard Greenberg EVERYBODY LOVES OPAL by John Patrick EVERYTHING IN THE GARDEN by Edward Albee FINAL PLACEMENT by Ana Watson and Mary Gallagher FRIED GREEN TOMATOES by Fannie Flagg GETTING OUT by Marsha Norman HEDDA GABLER by Henrik Ibsen HELLO FROM BERTHA by Tennessee Willaims HONOUR by Joanna Murray-Smith ISN'T IT ROMANTIC? by Wendy Wasserstein JOINED AT THE HEAD by Catharine Butterfield LAUNDRY AND BOURBON by James McLure LUNCH HOUR by Jean Kerr MY CUP RUNNETH OVER by Robert Patrick MY SISTER EILEEN by Joseph A. Fields and Jerome Chodorov MY SISTER IN THIS HOUSE by Wendy Kesselman ON GOLDEN POND by Ernest Thompson ONCE A CATHOLIC by Mary O'Malley PIZZA MAN by Darlene Craviotto PLAYING FOR TIME by Arthur Miller PROOF by David Auburn SPIKE HEELS by Theresa Rebeck STOP KISS by Diana Son TABLE MANNERS (from THE NORMAN CONQUESTS) by Alan Ayckbourn TEACH ME HOW TO CRY by Patricia Joudry THE CHILDREN'S HOUR by Lillian Hellman THE CRUCIBLE by Arthur Miller THE EARLY GIRL by Caroline Kava THE FACULTY LOUNGE by Michael Schulman THE GINGERBREAD LADY by Neil Simon THE GREAT NEBULA IN ORION by Lanford Wilson THE HOUSE OF BERNARDA ALBA by Federico Garcia Lorca THE IMPORTANCE OF BEING EARNEST by Oscar Wilde THE WOMEN by Claire Booth Luce TOP GIRLS by Caryl Churchill UNCOMMON WOMEN AND OTHERS by Wendy Wasserstein IF YOU HAVE A QUESTION ABOUT PLAYS NOT LISTED, CONTACT LARRY (subject line: 'scenes') |
Shakespearean, Classical and
Contemporary Monologues on
which I have coached many
actors.
Click here to go to
Monologues.
Once there, click on
a Classical
Monologue, then
use Microsoft
WORD or similar
word processing
program to open
and download.
Free.
Larry can't do the same
for Contemporary
Monologues since there
are copyright
restrictions, but the list
will give you ideas.
| Larry Gleason Scenes |
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| These are the many ways people have reached me. Hopefully one of these descriptions captures what you are looking for and why you have come to my page. They know me to be a New York City Acting Teacher. I teach at Circle In The Square. My classes include Text Analysis. Shakespeare. Classical Text. I am a New York City Acting Coach specializing in Classical and Contemporary Monologue Coaching. I do Private Coaching and Private Classes. I have Public and Private Group Classes and Coaching for actors and non-actors. I am also an Audition Coach. Public Speaking Coach and Presentation Coach. I will coach Father-of-the-bride speeches nyc, give father-of-the-bride speech help nyc, help write father-of-the-bride speeches nyc, public speaking coach nyc, best man speeches nyc, best man speeches help nyc, coach best man speeches nyc. I am a public speaking consultant, the best public speaking training nyc, I give speech coaching nyc, I do public speaking courses for kids in nyc, I teach public speaking new york, I do public speaking training nyc, I am a speech coach nyc, Yale School of drama audition help nyc, Juilliard drama school audition help, Yale School of drama audition coach nyc, juilliard drama school audition coach Circle in the square professional workshop audition help nyc, Circle in the square professional workshop audition coach nyc, Circle In The Square is a New York City Acting School (two-year program) at Broadway and West 50th Street. Many people come to me for Monologues or need a Monologue Coach. Scene Study or Scene Study Coach. I help prepare Auditions. Audition Monologues. I hold Professional Acting Classes, provide Acting lessons, Acting training, Professional Acting lessons, Professional Acting training. It is a nice compliment to the Professional acting school I provide actor lessons, actor training, actor classes, similar to an actor school. If you are looking for NYC Professional Acting lessons, NYC Professional Acting training, NYC Professional acting school, NYC actor lessons, NYC actor training, NYC actor classes, NYC actor school, New York City Professional Acting lessons, New York City Professional Acting training, New York City Professional acting school, New York City actor lessons, New York City actor training, New York City actor classes, New York City actor school---I can be of help. I am a NYC Actor, NYC Acting Teacher, NYC Acting Coach, NYC Monologue Coach, NYC Audition Coach, NYC Scene Study Coach, NYC Public Speaking and Presentation Coach. I offer NYC Scene Study Classes, NYC Cold Reading Classes. I am well-versed on William Shakespeare, William Shakespeare's Sonnets, The Sonnets. I have recorded mp3 Sonnets, Spoken Word Sonnets--The Sonnets read aloud or Sonnets in audio. I am a Private Acting Coach in New York City (NYC). I have been called The Best Acting Coach in New York City (NYC), The Best Monologue Coach New York City (NYC), I teach Shakespearean Monologues in New York City (NYC). I teach Acting Shakespeare in New York City (NYC). I teach Acting Audition Intensives in New York City (NYC). Turn to me for Acting Coaching for non-actors in New York City (NYC). I am a New York City (NYC) Acting Teacher for children, teens and young actors, New York City (NYC) Acting Coach for children, teens and young actors, New York City (NYC) Monologue Coach for children, teens and young actors, New York City (NYC) Audition Coach for children, teens and young actors, New York City (NYC) Scene Study Coach for children, teens and young actors. New York City (NYC) Scene Study Classes for children, teens and young actors. I do NYC Cold Reading Classes for children, teens and young actors, New York City (NYC) actor lessons for children, teens and young actors, New York City (NYC) actor training for children, teens and young actors, New York City (NYC) actor classes for children, teens and young actors, New York City (NYC) actor school for children, teens and young actors. I do one on one coaching for children, teens and young adults. Laguardia High School for the Performing Arts Monologues, LaGuardia Coaching help. Auditions for LaGuardia High School for the Performing Arts. Juilliard Audition help. American Academy of Dramatic Arts audition help. I do one on one coaching for children, teens and young adults. Professional Performing Arts High School for the Performing Arts Monologues, Professional Performing Arts High School Coaching help. Auditions for Professional Performing Arts High School for the Performing Arts. I do one on one coaching for children, teens and young adults. PPAS Monologues, PPAS Coaching help. Auditions for PPAS. I do one on one coaching for children, teens and young adults. Bronx School of Performing Arts Monologues, Bronx School of Performing Arts High School Coaching help. Auditions for Bronx School of Performing Arts High School for the Performing Arts. I do one on one coaching for children, teens and young adults. Albert Shanker School for Visual and Performing Arts Monologues, Albert Shanker School for Visual and Performing Arts High School Coaching help. Auditions for Albert Shanker School for Visual and Performing Arts . I do one on one coaching for children, teens and young adults. Thomas Jefferson Performing and Visual Arts Monologues, Thomas Jefferson Performing and Visual Arts High School High School Coaching help. Auditions for Thomas Jefferson Performing and Visual Arts High School. I do one on one coaching for children, teens and young adults. Wadleigh Secondary School for the Performing and Visual Arts Monologues, Wadleigh Secondary School for the Performing and Visual Arts. Auditions for Wadleigh Secondary School for the Performing and Visual Arts. I do one on one coaching for children, teens and young adults. Frank Sinatra School of the Arts Monologues, Frank Sinatra School of the Arts Coaching help. Auditions for Frank Sinatra School of the Arts. I do one on one coaching for children, teens and young adults. School For Classics, An Academy of Thinkers, Writers and Performers Monologues, School For Classics, An Academy of Thinkers, Writers and Performers Coaching help. Auditions for School For Classics, An Academy of Thinkers, Writers and Performers. Yale Drama School audition help. Yale Drama School Coaching. Yale School of Drama audition help. Yale School of Drama Coaching. |
| More scenes from David Hare's THE BLUE ROOM * The Girl (Irene) (Scene I & X) * The Cab Driver (Fred) (Scene I & II) * The Au Pair (Marie) (Scene II & III) * The Student (Anton) (Scene III & IV) * The Married Woman (Emma) (Scene IV & V) * The Politician (Charles)(Scene V & VI) * The Model (Kelly) (Scene VI & VII) * The Playwright (Robert) (Scene VII & VIII) * The Actress (Scene VIII & IX) * The Aristocrat (Malcolm) (Scene IX & X) |
| HINT Once you are inspired by the many possibilities listed here go to Wikipedia and put your play into their search engine. Wikipedia:WikiProject Theatre While it's no guarantee your play will be fully discussed, many listings will have a complete breakdown of scenes and characters helping you to see if the material is good for you. Then go to The Drama Book Shop www.dramabookshop.com Or Amazon.com Or BarnesandNoble.com Or AbeBooks.com to order. |
| ACTORS! Announcing! Actor Weekend Specials 2013 $75 per hour session 90 minute session for $110 Best Value!: 120 minute session for $140. All prices include studio cost! Now on Sundays in 2013 May 26 June 2, 9, 16, 23 slots available--book now! Sorry, June 30 Fully Booked All one hour sessions are just $75, including studio rental. All 90 minute sessions are just $110, including studio rental. Best Value: All two hour sessions are just $140, including studio rental. Slots are available for one-on-one or group work. Claim an hour or more for yourself or for your group. Work solo or with your group on monologues, scenes or cold readings for theater, film and TV. Call 917.549.5173 to secure your slot. Can't make it to the Specials? Larry is available other days and times at regular rates. |