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THE DAY I FELL AWAY
A play in nine scenes.

by Larry Gleason


Cast:

Aileen, 40’s, a photojournalist, caregiver for Róisín
Róisín, 70’s, Aileen’s mother
Sissy, 30’s, Aileen’s sister
Paul, 20’s or 30’s, a nurse
Mrs. Dumont, an elderly nursing home resident
Young Woman
Various non-speaking Men and Women

Download the play (see All Rights Reserved section below before downloading.)
THE DAY I FELL AWAY
by Larry Gleason

Two readings of this play have been done with Anne Pitoniak and Jacqueline Brookes, respectively, each reading the role of 'Róisín.' Christianne Tisdale played the role of 'Aileen.'

Producers Kay Rothman and Elizabeth I. McCann both praised the play. The play is still looking for a theater for it's premiere.

THE DAY I FELL AWAY is exceptional because it is not just a play about Alzheimer’s. Alzheimer’s is merely the launching point for examining what it means to love and be loved, to remember and be remembered by someone as close as one’s own parent. Departing from the straight and obvious A to Z narrative, I write in various forms, in linear scenes, poetry, songs and a few flights of fantasy, from several characters' points of view. From my Irish background I pull words and music that resonate and take us out of the ordinary creating a mood that is in turns serious and funny and personal.

SYNOPSIS of
THE DAY I FELL AWAY
A play in nine scenes.


In THE DAY I FELL AWAY, Aileen, a middle-aged woman is faced with the complexities of being a caregiver for her mother who has Alzheimer’s. The scenes, some linear, some not, some with songs, monologues and fractured time, take us on Aileen’s journey from the onset of her mother’s Alzheimer’s to her mother’s passing away. On the way Aileen struggles with family politics, her own personal relationship with her mother and eventually with her own identity.

Aileen is a photojournalist and although she is the primary person in her mother’s life she is the first in the family to be erased from her mother’s memory. Unable to accept this she puts her career and life on hold. She assumes the burdens of taking care of her increasingly dependent mother in order to re-establish herself in her mother’s memory banks.

Aside from Aileen and Róisín there is a possibility for some actors to play multiple roles. Actors that portray non-speaking roles may also play some of the minor speaking roles. I think this will vary according to the needs of each individual production. There is music in
THE DAY I FELL AWAY. Róisín and Aileen should be able to carry a simple tune. The Young Woman needs to be able to sing an ornamented ballad in Irish.

THE DAY I FELL AWAY is set in the Catskills in upstate New York and occasionally in the west of Ireland. The time is the present and recent past. It runs approximately 90 minutes.

This is my second work. My previous work,
HALONA, (THE MIDDLE PLACE, A Waking Dream in Two Acts) received a workshop in NYC with director Eric Concklin (Torch Song Trilogy) and a reading at HERE, also in NYC in 1998. I gave a copy of HALONA to playwright and actor Ellen McLaughlin for her advice and comment. She replied: “First of all: I really like it. The writing has ease and confidence and wonderful flow. I like the characters and I like the way you’ve rendered Native American characters who have dimension and humor…. I think the script is fascinating. I learned a great deal and found the writing compelling and fine…. I’d like to support this work in any way I can.”

HALONA received favorable comments, but no production, from several regional theater literary managers including Michele Volansky, then of Steppenwolf, and Bruce K. Sevy at Denver Center Theatre Company


THE DAY I FELL AWAY
A play in nine scenes

By
Larry Gleason
860 Grand Concourse #7N
Bronx, NY 10451
917.549.5173
© 2002
revised: July 1, 2002

Download the play
THE DAY I FELL AWAY
by Larry Gleason

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All Rights Reserved

CAUTION: Professionals and amateurs are hereby warned that
THE DAY I FELL AWAY is subject to a royalty. It is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copyright Union. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting and the rights of translation into foreign languages are strictly reserved.

The amateur live stage performances of
THE DAY I FELL AWAY are controlled exclusively by Larry Gleason and royalty arrangements and licenses must be secured well in advance of presentation. Amateur royalty fees are set upon application in accordance with your producing circumstances. When applying for a royalty quotation and license please include the number of performances intended, dates of production, your seating capacity and admission fee. This applies to charity or gain and whether or not admission is charged. Royalties are payable one week before the opening performance of the play to Larry Gleason, 860 Grand Concourse #7N, Bronx, NY 10451.

Stock and professional royalty quoted upon application to Larry Gleason. Particular emphasis is laid on the question of amateur or professional readings, permission and terms for which must be secured in writing from Larry Gleason.

Please note: submitting application for royalty request does not imply automatic acceptance.

While downloading the script is permissible, sale and distribution of its contents are prohibited and the right of performance is not transferable.

Due authorship credit must be given on all programs, printing and advertising for
THE DAY I FELL AWAY. The author's name must appear on a separate line in which no other name appears, immediately following the title of the play and must appear in size of type not less than fifty percent of the size of title type.

No one shall make any changes to the script for the purposes of production. All transmissions, copies, recording, videotaping by means electronic or mechanical, known and not yet known, are prohibited without prior permission of Larry Gleason.

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